![]() ![]() In the latter, Riana attempts to liberate the male and female denizens, the Sinep and Yssup creatures (kids, don’t read those backwards), from a computerized Orb. See Riana’s bosoms strain against leather in the Prison World, against brocade in the World of Indulgences, and against chiffon in the Island World. The game presents three worlds of fantasy to solve, one per CD, as the scantily clad Riana attempts to discover her true identity, locate her amorously grateful co-worker, restore the Worldmaker (don’t ask) to the Midworld Temple, wield large automatic weapons, and defeat the Evil Stranger. All of a sudden, as though in Munchkin Land, full-color graphics and video appear. ![]() Fuzzy, black and white, poorly lip-synched, and badly acted, the opening cutscene paints the portrait of a nondescript secretary, Riana Rouge, who, in the act of extracting her boss’s paws from beneath the hemline of a defenseless co-worker, is hurled into another dimension (?!). ![]()
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